Pablo Neruda
Here I Love You
Here I love you.
In the dark pines the wind disentangles itself.
The moon glows like phosphorous on the vagrant waters.
Days, all one kind, go chasing each other.
The snow unfurls in dancing figures.
A silver gull slips down from the west.
Sometimes a sail. High, high stars.
Oh the black cross of a ship.
Alone.
Sometimes I get up early and even my soul is wet.
Far away the sounds and resounds.
This is a port.
Here I love you.
Here I love you and the horizon hides you in vain.
I love you still among these cold things.
Sometimes my kisses go on those heavy vessels
that cross the sea towards no arrival.
I see myself forgotten like those old anchors.
The piers sadden when the afternoon moors there.
My life grows tired, hungry to no purpose.
I love what I do not have. You are so far.
My loathing wrestles with the slow twilights.
But night comes and starts to sing to me.
The moon turns its clockwork dream.
The biggest stars look at me with your eyes.
And as I love you, the pines in the wind
want to sing your name with their leaves of wire.
Leaning into the Afternoons ...
Leaning into the afternoons I cast my sad nets
towards your oceanic eyes.
There in the highest blaze my solitude lengthens and flames,
its arms turning like a drowning man's.
I send out red signals across your absent eyes
that wave like the sea or the beach by a lighthouse.
You keep only darkness, my distant female,
from your regard sometimes the coast of dread emerges.
Leaning into the afternoons I fling my sad nets
to that sea that is thrashed by your oceanic eyes.
The birds of night peck at the first stars
that flash like my soul when I love you.
The night gallops on its shadowy mare
shedding blue tassels over the land.
I Have Gone Marking ...
I have gone marking the atlas of your body
with crosses of fire.
My mouth went across: a spider, trying to hide.
In you, behind you, timid, driven by thirst.
Stories to tell you on the shore of evening,
sad and gentle doll, so that you will not be sad.
A swan, a tree, something far away and happy.
The season of grapes, the ripe and fruitful season.
I who lived in a harbour from which I loved you.
The solitude pierced by dream and silence,
Penned up between the sea and sadness.
Soundless, delirious, between two motionless gondoliers.
Between the lips and the voice something goes dying.
Something with the wings of a bird, something of anguish and oblivion.
The way nets cannot hold water.
My toy doll, only a few drops are left trembling.
Even so, something sings in these fugitive words.
Something sings, something climbs to my ravenous mouth
Oh to be able to celebrate you with all the words of joy.
Sing, burn, flee, like a belfry at the hands of a madman.
My sad tenderness, what comes over you all at once?
When I have reached the most awesome and the coldest summit
my heart closes like a nocturnal flower.
Every Day You Play ...
Every day you play with the light of the universe.
Subtle visitor, you arrive in the flower and the water.
You are more than this white head that I hold tightly
as a bunch of flowers, every day, between my hands.
You are like nobody since I love you.
Let me spread you out among yellow garlands.
Who writes your name in letters of smoke among the stars of the south?
Oh let me remember you as you were before you existed.
Suddenly the wind howls and bangs at my shut window.
The sky is a net crammed with shadowy fish.
Here all the winds let go sooner or later, all of them.
The rain takes off her clothes.
The birds go by, fleeing.
The wind. The wind.
I alone can contend against the power of men.
The storm whirls dark leaves
and turns loose all the boats that were moored last night to the sky.
You are here. Oh, you do not run away.
You will answer me to the last cry.
Curl around me as though you were frightened.
Even so, a strange shadow once ran through your eyes.
Now, now too, little one, you bring me honeysuckle,
and even your breasts smell of it.
While the sad wind goes slaughtering butterflies
I love you, and my happiness bites the plum of your mouth.
How you must have suffered getting accustomed to me,
my savage, solitary soul, my name that sends them all running.
So many times we have seen the morning star burn, kissing our eyes,
and over our heads the grey light unwind in turning fans.
My words rained over you, stroking you.
A long time I have loved the sunned mother-of-pearl of your body.
Until I even believe that you own the universe.
I will bring you happy flowers from the mountains, bluebells, dark hazels,
and rustic baskets of kisses.
I want
to do with you what spring does with the cherry trees.
I Crave Your Mouth ...
I crave your mouth, your voice, your hair.
Silent and starving, I prowl through the streets.
Bread does not nourish me, dawn disrupts me, all day
I hunt for the liquid measure of your steps.
I hunger for your sleek laugh,
your hands the color of a savage harvest,
hunger for the pale stones of your fingernails,
I want to eat your skin like a whole almond.
I want to eat the sunbeam flaring in your lovely body,
the sovereign nose of your arrogant face,
I want to eat the fleeting shade of your lashes,
and I pace around hungry, sniffing the twilight,
hunting for you, for your hot heart,
like a puma in the barrens of Quitratue.
Full Woman, Flesh-Apple, Hot Moon
Full woman, flesh-apple, hot moon,
thick smell of seaweed, mud and light in masquerade,
what secret clarity opens through your columns?
What ancient night does a man touch with his senses?
Oh, love is a journey with water and stars,
with drowning air and storms of flour;
love is a clash of lightenings,
two bodies subdued by one honey.
Kiss by kiss I travel your little infinity,
your borders, your rivers, your tiny villages;
and a genital fire - transformed, delicious -
slips through the narrow roadways of the blood
till it pours itself, quick, like a night carnation, till it is:
and is nothing, in shadow, and a flicker of light.
Naked
Naked, you are simple as one of your hands,
smooth, earthy, small, transparent, round:
you have moon-lines, apple-pathways:
naked, you are slender as a naked grain of wheat.
Naked, you are blue as a night in Cuba;
you have vines and stars in your hair;
naked, you are spacious and yellow
as summer in a golden church.
Naked, you are tiny as one of your nails -
curved, subtle, rosy, till the day is born
and you withdraw to the underground world,
as if down a long tunnel of clothing and of chores:
your clear light dims, gets dressed - drops its leaves -
and becomes a naked hand again.
Of All the Stars
Of all the stars I admired, drenched
in various rivers and mists,
I chose only the one I love.
Since then I sleep with the night.
Of all the waves, one wave and another wave,
green sea, green chill, branchings of green,
I chose only the one wave,
the indivisible wave of your body.
All the waterdrops, all the roots,
all the threads of light gathered to me here;
they came to me sooner or later.
I wanted your hair, all for myself.
From all the graces my homeland offered
I chose only your savage heart.
I Hunt for a Sign of You
I hunt for a sign of you in all the others,
in the rapid undulant river of women,
braids, shyly sinking eyes,
light step that slides, sailing through the foam.
Suddenly I think I can make out your nails -
oblong, quick, nieces of cherry -:
then it's your hair that passes by, and I think
I see your image, a bonfire, burning in the water.
I searched, but no one else had your rhythms,
your light, the shady day you brought from the forest;
nobody had your tiny ears.
You are whole - exact - and everything you are is one,
and so I go along, with you I float along, loving
a wide Mississippi toward a feminine sea.
It's Today
It's today: all of yesterday dropped away
among the fingers of the light and the sleeping eyes.
Tomorrow will come on its green footsteps;
no one can stop the river of the dawn.
No one can stop the river of your hands,
your eyes and their sleepiness, my dearest.
You are the trembling of time, which passes
between the vertical light and the darkening sky.
The sky folds its wings over you,
lifting you, carrying you to my arms
with its punctual, mysterious courtesy.
That's why I sing to the day and to the moon,
to the sea, to time, to all the planets,
to your daily voice, to your nocturnal skin.
When I Die
When I die, I want your hands on my eyes:
I want the light and wheat of your beloved hands
to pass their freshness over me once more:
I want to feel the softness that changed my destiny.
I want you to live while I wait for you, asleep.
I want your ears still to hear the wind, I want you
to sniff the sea's aroma that we loved together,
to continue to walk on the sand we walk on.
I want what I love to continue to live,
and you whom I love and sang above everything else
to continue to flourish, full-flowered:
so that you can reach everything my love directs you to,
so that my shadow can travel along in your hair,
so that everything can learn the reason for my song.
Two Happy Lovers
Two happy lovers make one bread,
a single moon drop in the grass.
Walking, they cast two shadows that flow together;
waking, they leave one sun empty in their bed.
Of all the possible truths, they chose the day;
they held it, not with ropes but with an aroma.
They did not shred the peace; they did not shatter words;
their happiness is a transparent tower.
The air and wine accompany the lovers.
The night delights them with its joyous petals.
They have a right to all the carnations.
Two happy lovers, without an ending, with no death,
they are born, they die, many times while they live:
they have the eternal life of the Natural.
